Profile: Imogen Tong
Loft credits (click a play title to view details)
- Duchess/Gluttony, Doctor Faustus (2025)
- Soprano, Boudica (2023)
- Cobweb, A Midsummer Night’s Dream (2022)
Elsewhere
- Director, The Last Word (2025, Bridge House Young Company)
- The Lady of the Lake, Will We Impress Good Queen Bess? (2024, A Book of Portraits)
- Director, Much Ado About Nothing (2023, Bridge House Young Company)
- Director, The Burial at Thebes (2022, Bridge House Young Company)
- Director, Hedda Gabler (2022, Bridge House Theatre)
- Hermione, The Winter’s Tale (2022, Trinity Players)
- Assistant director, Everyman (2021, Bridge House Theatre)
- Pascaline/Marion, Deckchairs (2021, The Bear Pit)
- Company, Windsor (2018, Royal Central School of Speech and Drama)
- Company, Offending the Audience (2017, Royal Central School of Speech and Drama)
- Nellie, Rocket Girl (2016, Minack Theatre/RCSSD)
- Velveteen Rabbit, The Velveteen Rabbit (2016, Royal Central School of Speech and Drama)
- Dragos/Sprout, The Flying Ship (2015, Popinjay Productions, UK tour)
- Woman of Damascus, Raising Burbage (2014, Shakespeare in Shoreditch)
- Sister Elpidi, The Suicide (2013, Year Out Drama Comeback Company)
- Abigail Williams, The Crucible (2012, Year Out Drama Company)
- Clytemnestra, Iphigenia at Aulis (2012, Year Out Drama Company)
- Dr Pisana, Madness in Valencia (2012, Year Out Drama Company)
- Countess of Roussillon, All’s Well That Ends Well (2012, Year Out Drama Company)
- Judith Bliss, Hay Fever (2012, Year Out Drama Company)
- Gonzalo, The Tempest (2011, Year Out Drama Company)
Notes
Imogen trained in Drama, Applied Theatre and Education at Royal Central School of Speech and Drama. She currently works as the Theatre Outreach Manager at Bridge House Theatre in Warwick, where she runs the youth theatre programme for actors aged 7-18.
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