Profile: Sean Glock

Loft credits (click a play title to view details)

• Company, Anthem for Doomed Youth (2020)
• Director/Company, The Theatre of Music Hall (2019)
• Company, Anthem for Doomed Youth (2018)
• King Charles II, Nell Gwynn (2018)
• Nicky Lancaster, The Vortex (2017)
• Algernon Moncrieff, The Importance of Being Earnest (2017)
• Dan, The Exorcism (2015)

Elsewhere

• David Frost, Frost/Nixon (2018, Priory Theatre)
• The King, Rumpelstiltskin (2016, Criterion Theatre)
• Sydney Carton, A Tale of Two Cities (2016, Criterion Theatre)
• Liberty Valance, The Man Who Shot Liberty Valance (2016, Criterion Theatre)
• Steve, Grace (2015, Criterion Theatre)
• Actor 1, Loveplay (2015, Criterion Theatre)
• Mark Sackling, Quartermaine’s Terms (2015, Criterion Theatre)
• Gerry Evans, Dancing at Lughnasa (2014, Criterion Theatre)
• Hotspur/Fang/Soldier, Jack Falstaff (2014, Criterion Theatre)
• John Worthing, The Importance of Being Earnest (2011, University of Birmingham)
• Sean Farrow, The Maharasua Masquerade (2011, mac, Birmingham)
• Thenardier/Various, Take to the Stage (musical showcase) (2011, University of Birmingham)
• Stone/Bad Guy/Various, The Sound of Musicals (musical showcase) (2010, University of Birmingham)
• Sir William Hamilton, The Hero Rises Up (2010, University of Birmingham)
• Wickes, Before a Fall (2010, St Peter’s Players, Hinckley)
• Ivor Novello, Gosford Park (2010, University of Birmingham)
• Ambitious Envy, Cirque du Sept (2010, 3Bugs Fringe Theatre)
• Pharaoh, Joseph and the Amazing Technicolour Dreamcoat (2007, All Saints Church, Small Heath)

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