Profile: Harry Sanders

Loft credits (click a play title to view details)

• Company, Under Milk Wood (2024)
• Sound design, The York Realist (2019)
• Sound design, Twelfth Night (2018)
• Sound design, Brontë (2018)
• Sound design, The Cherry Orchard (2017)
• Stage manager, Old Times (2017)
• Stage manager, The Entertainer (2016)
• Stage manager, And Then There Were None (2016)
• Stage manager, The Pitmen Painters (2015)
• Stage manager, Steel Magnolias (2014)
• Stage manager/Mr Lipari, A View From the Bridge (2012)
• Stage manager, The Miracle Worker (2012)
• Shelly Levene, Glengarry Glen Ross (2011)
• Mr Boo, The Rise and Fall of Little Voice (2010)
• Polonius, Rosencrantz and Guildenstern are Dead (2010)
• Baron Van Swieten, Amadeus (2010)
• Clarence Darrow, Never the Sinner (2009)
• Henry Horatio Hobson, Hobson’s Choice (2009)
• Sir Wilfull Witwoud, The Way of the World (2008)
• Dr Alfred Feldmann, Duet for One (2008)
• John Smith, Breaking the Code (2008)
• Walter Monckton KC, Crown Matrimonial (2008)
• Ronald Brewster-Wright, Absurd Person Singular (2007)
• Tom Hoffnung, Aristocrats (2007)
• Crestwell, Relative Values (2007)
• Company, Christmas Music Hall (2006)
• Player/Marcellus/Gravedigger, Hamlet (2006)
• Officer Crabtree, ’Allo ’Allo! (2006)
• John Smith, Caught in the Net (2006)
• Howard Siegel, Boy Gets Girl (2006)
• Inspector Lestrade, The Final Problem for Sherlock Holmes and Dr Watson (2005)

Notes

Harry studied drama at Royal Holloway College, London, and the Shakespeare Institute, Stratford. He has served as a Council Member for the Directors Guild of Great Britain and also on the Directors’ Committee for Equity.

• To make additions or corrections to Harry Sanders’s profile, please contact the online archivist.